Category Archives: L Davis Carpenter

The Requisite New Year Post

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Burning Midnight Oil

Burning Midnight Oil

Little has changed since my last post. Caregiving continues. The Day Job sputters. But I now rise at 2am—allowing myself three hours to work on my eternal novel project undisturbed. Or, mostly undisturbed. There’s always the cat.

I know it sounds crazy but that part of every day is mine. I plot out my schedule so I can be in bed early and not sabotage the tea and solitude with sleep. Every other hour I am running from task to task trying to keep loved ones fed, medicated, transported and comfortable.

It’s a strange role for me. I’ve never had kids so being responsible for others at this level is terrifying at times. And this path takes only one direction—from heartache to heartache.

But you have to find a place where you can set it all aside and still be you—if only just clinging to one tiny thread. If you can’t or don’t, you’ll diminish to the point of disappearing. And no longer be the fighter that your loved ones depend on.

____

See can what I’m working on via my writing blog:  LDavisCarpenter.com

 

Flash Memoir

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Photo on Foter.com

The paying gig has been slow this quarter but family needs have taken up all slack. As a result, my big goal for completing a second draft of my novel by the end of June is pretty much DOA. This week I am finishing up some unpleasant tasks (read: 2018 taxes) and other odds and ends with a view to getting back to The Book by next Monday.

In the meantime, I have been toying with flash memoir to hone my writing skills. As long as I am slogging through the construction phases of my Main Project, I don’t get the chance to put much practice into word crafting. I hope that by drilling down on these very short pieces, I will be more prepared when my longer works are ready for the final polishing.

I’ve written more about this on my writing blog here.

My first two flash memoir items are here and here.

 

 

 

Working From Home

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work to do - small

We never know what change is coming at us.

Two months after my last post, Hurricane Matthew looked like he was going to grind up the entire Florida coast as a Cat 4. I dashed away from my out-of-town gig to rush home and evacuate my parents. Two hours into my five hour drive south I got a call from my boss saying, sorry, but we’re going to have to replace you immediately. We’ll get you back in here ASAP once your family responsibilities are complete. I said, OK, no problem. This is life as a storm adjuster who also lives in a hurricane prone state.

Can’t be everywhere at once.

One hour later – still rushing south – phone rings again. Different company asking me if I am available to lead an in-office storm team – right in my own home town! Oh, yes! How’s that for timing? Maybe God is in control?

That gig didn’t last long but segued into another also in my home town. Whew. Good thing too because by then I needed to attend all parental medical appointments, etc. Working out of town is no longer an option.

Fast forward one year. Hurricane Irma is coming and another out-of-the-blue call – offering me to:

WORK FROM HOME! 

Woot!!! Woot!!! World’s Biggest Woot!

The hours were brutal but completely flexible – allowing me to work as much as 77 hours/week while still getting my parents to appointments and walking their new dog. (Hah, that’s another post).

But, after ten months of that pace, I’d had enough. I took the slower summer season as the chance to change my Day Job. We’d been praying that this opportunity would come and it did. Same industry, different role. Still work from home. Still completely flexible hours – just a lot less of them and less emotionally draining.

I LOVE my Day Job!

And, since work is slow right now, I am still catching up on all sorts of things that were neglected: INCLUDING MY NOVEL! (See my writing blog update HERE.)

FIRST DRAFT = DONE!

 It’s been two+ years of hard work and sudden changes. I am thankful for the grace of God which continues to strengthen me for each step and allows me to face the future with peace – having seen His hand so clearly at work in the past.

2019 is going to be challenging in endless ways but when I can make myself stop and remember His past blessings, I can face the next round of the whirlwind.

Early Bird Efforts

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bfd60-2010-02-07_feeder_snow_144a

Mr. Grackle in snow –  Picture by: Lausanne Davis Carpenter

The best remedy for surviving a twelve-hour day in cubicle-land is to spend my early mornings on my own goals. I have posted on LDavisCarpenter about the challenges of writing historical fiction and am starting a Flash Memoir side-project while chipping away at my novel.
 

I am reasonably confident in my non-fiction abilities but creative writing is – whew. I know how long it takes to develop any new skill so I want to use my life experiences as material for word-crafting practice – before I am faced with final edits of my long fiction. Flash Memoir seems like a good choice for distilling memories into words that transport a reader to another’s time, place, thoughts and senses. I also think it will be fun to capture snippets of my own crazy life in this form.

 

Meanwhile, you can see last summer’s mural on the Marsh Hawk Studio blog. I still plan to do a process post showing the steps to creating it but those pictures are on my other laptop which an Office update recently corrupted and can no longer access the internet. (Yes, thank you very much.) I will soon update the Long Ago & Far Away blog with notes on Conn Iggulden’s Genghis Khan series.

 

If I can ever get my blogs up to date AND have a day off – I’ll be back to writing my novel.



***About Mr. Grackle – just a fellow at my feeder on a snowy morning back in VA. Those eyes look like I feel most mornings before tea.

In the Meantime –

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studio 2

 

My studio has returned to chaos.

You can see the results of the Studio 3.0 Mural Commission posted on my Marsh Hawk Studio site.

As I mentioned there, once I completed that project, I was immediately out of town to work as a trainer/manager of independent insurance adjusters in Atlanta, GA. After six months, I returned home to move my parents from their rental to the finally ready “new” home. We’ve been working long days, every day to get them moved in. We’ve also changed every one of their doctors and dentists in this last 3 months. I hope to never see another “New Patient” form.

But, how about a few detail shots of our hard work?

back porch1a (3)

This shot was taken the day James and I first saw the house. You can see the monster tree and the rotting deck that wrapped around it. I remember thinking as I took this picture, “One day, that tree is going to cost us a whole lot of money.”

Two weeks after closing, we received a notice from the city that our neighbor had complained about it dropping limbs into her yard.

$6500.00 later, the tree and the liability hazard deck were gone.

The house had no laundry room. So we added that plus a mud room in the area of the old deck, then added the stoop. Pardon the ladders. Work yet to do.

back entry

Along the way, the house was gutted and essentially rebuilt from the inside out. New wiring, plumbing, everything. When they started to tear out the  interior plaster on the exterior walls, they discovered there was no lath, just plaster on terra cotta block walls. So, they left the plaster and stick built from the inside in order add insulation.

terra cotta block

Add new roof, new windows and attic insulation and the folks are now snug.

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The ceilings throughout had been dropped. The new ones have been returned to their original 9’6″.

 

living room 1 (3)

Living room with dropped ceilings.

picture wall

Same wall with ceilings restored to original height.

entry and wall of writers

Showing the exposed upper glass block and the display of Mom’s favorite writers around the door to her writing room.

 

Raising the ceiling in the living room exposed the top row of glass block at the entry. Their exterior had been painted gray. Now they sparkle inside and out.

The exterior still needs some wood rot replaced and paint. But my parents are now ensconced, mostly unpacked and starting to get on with living.

Now for me: I’ve made myself available for work adjusting again but I may have to wait for tropical storm season to spool up before I can return. That makes me financially broke but anxious to use these slivers of free time to update my blogs and drag out my historical fiction project.

Squeezing in Some Reading Time

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Managed to finish reading two historical novels recently. Posted thoughts about them on my Long Ago & Far Away blog. (And I have no idea why this post is insisting on this strange formating but I don’t have time to fiddle with it. I need to be working on my novel – right now. Or, write now.)

Wilber Smith’s River God and The Quest – Some Observations

Posted on June 23, 2014

In my efforts to expand my exposure to Long Ago & Far Away historical fiction, it was past time that I read some Wilbur Smith. His novels of ancient Egypt intrigued me so I picked up River God and ventured in – as always without reading the back cover, reviews, etc.

From the first page I knew that Smith was writing my kind of historical fiction: accent on adventure and mostly fictitious main characters allowing lots of room to play. I am observing that, the more locked to historical figures, the more difficult it is to craft a satisfying story. (Though the likes of Sharon Kay Penman and C. W. Gortner do it with aplomb). Call me low-brow but I like heroes and villains and adventure rooted in some other world than ours – historical fiction, fantasy, sci-fi, etc. For historical fiction I want the context to be accurate but after that, I just want a good story.

So, River God: the most compelling aspect of this work is not so much the story as the voice of the main character. Our first-person hero, Taita, borders on the fantastical – no, is fantastical. He is a Renaissance Man in extreme: playwright, architect, administrator, military strategist, physician, mural painter, jeweler, hydraulic engineer, embalmer, musician – what have I missed? There are chariot battles, damsels in distress and adventures into sub-Saharan Africa. I know so little about the history or geography that, besides the epic exaggerations, I had to largely take Smith at his word on the basic facts. But it’s Taita’s voice that carries this book. His voice will stay with me when the story is forgotten.

Imagine my shock when I opened The Quest and found a third-person narrative, mostly in Taita’s point of view, but also from other characters and even much use of the omniscient. I had skipped two books in the series, so I knew there would be story I’d missed and I expected subtle changes in the author’s style but I grieved the loss of Taita’s voice for 100 pages before I finally let it go.

Also, by the time you reach The Quest, there has been a shift in genre from imaginative historical adventure to what is essentially a fantasy set in ancient Egypt/Africa. Taita is no longer simply skilled at everything. In the interim he has become a mage and a long-liver. Rather than the natural enemy of an invading force (River God) Taita is now pitted against a thousand year old witch.

I read fantasy so it should have been easy to make the transition, but it took me about as long to let the historicity go as it did to relinquish Taita’s voice. I do not want to be the one to pigeon-hole writers into strict genre distinctions but I really struggled with it. I like historical characters to take on as much of their own worldview as I can possibly comprehend, and the people of ancient Egypt would understand the world very differently from me, but that’s not what The Quest is. The Quest is fantasy – best to make that mental switch in your head before you start page one.

It would be interesting to read the interim books and observe when and how Smith makes this transition. I suspect it is gradual and would not have shocked me so if I had read the progression as written. I’d love to hear from folks who have read all four to learn if this is the case or if The Quest was a leap in style and or genre.

And, a warning about The Quest: this story is sexually visceral. For the most part, the sexuality is rooted in the themes of power, identity and transformation that run through both books, but there were bits that seemed gratuitous.

River God: Recommended – here is it’s review page on GoodReads (interesting that the reviews are mostly divided between love it/hate it. Few in between.)

The Quest: Recommended with caution – here’s it’s review page on GoodReads (also very divided opinions). And one from the Historical Novel Society.

 

 

 

 

 

Light Reading

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From my LDavisCarpenter – Writer blog:

Light Reading

Posted on January 1, 2014

Bedtime Stories

Bedtime Stories

I was so exhausted by Penman’s Plantagenets that I searched for something in my To Be Read Pile that would be light and fun. So, of course, I settled on Hilary Mantel’s Bring Up the Bodies.

Really, I did. My other options were to start this or that series and I didn’t want to embark on another long-term commitment. Bring Up the Bodies was at hand, not nearly as massive as the three Penman tomes I’d finally completed and it is the 2nd in a trilogy I’d already started. So it took priority over starting something else.

The good news – I zipped through it in less than a week. It was strange reading more Henry stuff but this is No. 8, rather than No. 2. My brain wanted to merge them together for a while but I finally left the Plantagenets behind and caught up with the Tudors.

The first book in the series, Wolf Hall, started off as a difficult read. Mantel has chosen an unusual point of view – 3rd person present tense – all from the head of Thomas Cromwell. It took me about one hundred pages to get the POV and voice to sink up with my brain – sort of like trying to read Shakespeare after many years away from it. Once I found the right groove my only problem was the occasional confusing pronoun reference. Mantel’s writing is so immediate and nearly stream of conscious that it was easy to lose track of the “he” references in Wolf Hall.

Delving back into Thomas Cromwell’s head in Bring Up the Bodies was a synch. And I was thrilled to see that Mantel had found a device to solve the pronoun reference problem without tampering with her distinctive voice. In a given paragraph, if there is a risk of the “he” pronoun reference being unclear, she now writes, “he, Cromwell, blah, blah, blah”. Like the rest of the book, it is unusual but it works.

As to the story – Oh, my. Mantel’s Thomas Cromwell is a disturbing enigma but how else do you explain the contradictions present in this singular human being? I flew through the book even already knowing the historical outcome.

Highly Recommended.